Role playing alert! Role playing alert! You are now entering a non-joystick zone. Arcade players may as well flick on a couple of pages to the Apidya review or something right now instead.
Right, that just leaves the role playing fans, and the open-minded non-fans who are wiling to give this a chance. To be honest, non-role playing experts may find that this is not the ideal starting point - Eye of the Beholder or similar may be more up their street - but for you fans of the genre a real treat is in store. This game will teach you the real meaning of role-playing. RPG-aphobes have been warned.
Sequels are funny things. For a start they have got to avoid alienating the audience which the series has already built up, but they have also got to sidestep any accusations of 'seen it all before'. It is a neat trick if you can do it, and happily the Ultima series has not put a foot wrong yet. Always getting bigger, gaining greater depth, adding smarter presentation and better plotting, the games have grown with the technology. Inevitably, there has always been a bit of drag - the games' visual side never quite making the grade (betraying the fact that conversions from the original PC versions usually takes around two years) - but that aside, they have been consistently the slickest, most interesting RPGs around. And so we have now got Ultima VI, proving that the more things change, the more they stay the same.
For the unitiated (please bear with me, cynics of the world), the Ultimate saga places the player in the guise of the Avatar (the human embodiment of all life's virtues) - a man (or woman) transported to the lands of Britannia (via a moongate - more about them in later) in times of trouble. The adventures have always been tricky, but this sixth journey to the alternate world is fraught with extreme danger. Walking into a red moongate during a particularly vicious storm (a bad sign - the moongate is usually ble), the player reappears on the other side surround by gargoyles. Rescued at the last moment by old friends of Britannia (Lolo, Shamino and Dupre), the quarter make their way through another moongate to re-appear in the court of Lord British - ruler of Britannia.
It transpires that the underworld of Britannia has been cracked open, releasing the gargoyles, whose mission seems to be inexorably linked with the player's role as Avatar. And so the mystery begins. Many lands must be travelled, towns visited, dungeons, explored, and seas crossed before the Avatar can discover the key to the mystery and put an end to the threat of the malevolent gargoyles.
DID THE EARTH MOVE FOR YOU?
What this boils down to is the player controlling his main character plus up to seven others (the aforementioned Lolo, Dupre and Shamino, plus any other recruits picked up along the way) in a plan-view quest through a huge (and boy, am I talking big here) world. Everything in the world is structured pretty much as you would expect: water flows into seas, cave entrances are hidden in mountainsides, roads connect the towns, villages and cities. Inhabitants walk around, go to work (there are inns, fletchers, museums, armouries, the list goes on) and can be communicated with.
The conversation system is not going to win any awards for contribution to the development of artificial intelligence, but compared to pretty much every other role playing game on the market, it is a masterpiece. All characters will respond to basic questions about name and job, and some will be willing to explain a lot more - try probing them further about key words which crop up in their conversation (which, with the help mode on, are highlighted).
In addition to all this keyboard jiggery-pokery, control is also achieved with the help of a whole range of icons to be manhandled with the mouse. (It is possible to use the keyboard to access these if you wish, but this is the '90s, y'know?). In fact the whole user-interface of Ultima VI is about as slick as you could wish for. To examine an object, simply click on the 'look' icon, then click on the object. Similarly, unlocking and opening a door takes but four clicks of the mouse button - there is no mucking about with full sentence input here.
The actual play area is limited to about half the screen, with icons and your text input area taking up the rest of the space. A line-of-sight system is used, which means that anything behind a wall or other barrier is blacked out - this is not particularly pretty, but works to neat effect in gameplay terms. It makes the risk of going around a corner just that bit more exciting - you never know what will be waiting in the shadows to beat your characters to a pulp.
Simply a role player's dream
USING THE SOLDIERING IRON
Which brings me to the combat system. Anyone who is familiar with the 'chess-with-spells' combat system found in games such as Chaos and Laser Squad will feel right at home with Ultima, this latest of which uses a combat system which has not really changed since the very first Ultimas, a testament to its perfect simplicity.
All characters and monsters take turns to either move, use short and long range weapons, or cast spells. The characters in the player's team (other than the Avatar) can either be controlled manually, or set onto remote - where they react according to a pre-programmed general order (such as berserk, flank, retreat etc). These orders can be changed mid-battle - and having the computer help out certainly makes things easier - but personally, I prefer having total control over my team. Remember though, you are going to have to control the Avatar yourself whatever you do, and this might prove, for beginners at least, to be quite enough to be getting on with, thank you very much.
As your team wins more battles they gain experience and, in time honoured RPG fashion, become an altogether more together bunch of dudes. Victory brings more victory, but do not get complacent - the monsters encountered soon adjust accordingly, and the player is faced with some pretty powerful new foes. Thankfully the stakes are higher, and defeat of bigger and meaner monsters usually yields better treasures - more gold, magic weapons and armour, the usual sort of stuff.
As I said earlier, the world of Britannia is frighteningly detailed. There is an awful lot to see and do, and a seemingly infinite number of little places to explore. As you make your way around it is advisable to talk to just about everyone. Information gleaned from computer characters is the way to progress in Ultima VI. One clue tends to lead to another, but just in case one problem seems too complex, there will always be several other missions on the boil that you can go away and concentrate on for a time instead. Getting hold of a skiff or full-blown ship means that even more mysterious lands open up to the player. Thankfully a map of the world is provided with the game - it shows the location of quite a few towns, cities and islands, but it is by no means definitive, which is neat. It makes the discovery of each new place that bit more satisfying.
Of course, there is an easier way getting round Britannia - via the moongates. Essentially, these things are teleports which appear and disappear intermittently in specific locations. Simply walk into one gate, and you will comes out of one of the others. The presence of each doorway is governed (as the name suggests) by the cycle of Britannia's twin moons. Learning mastery of the moongates early in the game is definitely a good idea, unless re-treading the same old roads again and again appeals to you.
And that is by no means all. There is still much to the game I have not mentioned - the shrines, the mantras, the plots within plots, the gargoyle island; the list of oddities, subtleties and surprises just goes on. Oh yes, there is the pretty neat spell system too - another finely tuned aspect of the gameplay. But enough. It is about time I got down to the nitty gritty and let you know just how good Ultima VI really is.
AROUND THE WORLD IN A DAY
Well, it is a bit obvious, isn't it? I would not have been wittering for this long if I was not pretty damn enthusiastic about the whole thing. The basic game, then, is great - what problems there are come from specific flaws in this slightly disappointing Amiga conversion. The speed is probably the main problem. Moving around the world of Britannia just feels too cumbersome. Faster scrolling would have been wonderful. Graphically, we are obviously in hardened role-playing territory - there are no fancy 3D routines here and no need for them, and anyway, plan-views never allow too much scope for gorgeous visuals. The music rises to the occasion well enough, with several not-unpleasant (and context-sensitive) tunes - all very baroque.
And that is pretty much it really. Apart from the niggles about speed (oh, and the fact that playing it from floppies is a complete non-starter - there is an unbelievable amount of disk-swapping necessary) there is not really anything to complain about. Like I said earlier, I cannot see many people buying this as their first role-playing featst, but for those who know what they like this is just perfect. It is certainly the best Ultima game yet, and as such I reckon it is also the best Amiga roleplaying game available. And don't forget, with a game of this type and epic scale you are offered far more potential hours of game time for your pound than you will find just about anywhere else. What more could you ask for?